Adobe realized that users wanted to add profiles first-for both color fidelity and artistic expression-and moved them to the top of the Basic panel. They used to be located in the Camera Calibration panel.Īs more photographers started using them, some created profiles for artistic effects. While not 100 percent accurate, they let you get closer to what you saw on the back of your camera. This shift frustrated many photographers before Lightroom’s developers added camera profiles (presets that attempt to mimic the settings included in a camera’s JPEGs). This is why your thumbnails shift in color shortly after (or during) the import process. To do this, Lightroom looks at the image’s metadata-white balance and everything buried in your camera’s color menu-and interprets it as best it can.īecause Lightroom can’t interpret some proprietary camera settings, the preview almost never looks like the JPEG that you saw on the back of your camera. Behind the scenes, it starts to render the raw data into pixels you can view and work with onscreen (a process known as demosaicing). When you import this image into Lightroom, Lightroom initially shows you that JPEG preview as a thumbnail. This JPEG preview-with all of the color, contrast, and sharpening-is what you see in the LCD on the back of the camera. Switching to shooting in raw, your camera captures all of the raw data at the point of capture, but builds a small JPEG preview as well. When shooting in JPEG mode, the camera applies color, contrast, and sharpening to your image files.
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